Recent Posts From Music
Stephen Inglis manages to find open space in the sometimes crowded field of Grateful Dead tributes. On Cut the Dead Some Slack, the Honolulu-based troubadour (with vocal harmony assistance from radio host and musician David Gans) offers a pleasing array of acoustic-based songs, demonstrating his dexterous chops on Hawaiian slack key guitar, guitarlele and the good old six string.
The audience danced, sang and grooved to the consistently inspired sound of the tight four-piece, which included Jay Lane on drums and Wavy Dave Burlingame on bass. It was a truly fine evening that demonstrated the power of live music performed by a talented band in a relaxed setting.
New releases by MiZ and Boris Garcia keep the dream alive . . .
Steve Kimock’s new CD Satellite City features him in a mix of styles, from his trademark explorational improvisation to song-based fare featuring Leslie Mendelson. TipJar was lucky enough to chat with Steve about his new release and to get into some fun side tangents about his early years in San Francisco.
Over the years, Los Angeles musicians Mark Tremalgia, Randy Ray Mitchel, Paul Ill and Don Potruch have loaned their skills to artists including Bob Weir, Butch Trucks, Linda Perry and Billy Gibbons. Now they’ve come together as the Disreputable Few
With a carefully crafted batch of songs and superlative musicianship, this CD reflects the soulful creative mission of San Francisco Bay Area music critic and talented tunesmith Deborah Grabien.
On his latest release, 50, which marks the 50th anniversary of the Summer of Love, Joe holds forth on subjects including politics, sexism, war, veterans, the environment, loneliness and love.
JGB – really Jerry – was all about spontaneity and absence of centralized control when he easily could have insisted on another way. Perhaps that is what made him so compelling. The risks he took and the depth of his sincerity were clear to anyone who listened carefully. This version of “Mission” exemplifies Jerry as a gifted songwriter, vocalist and improvisational guitarist.
Hoddinott’s country, rock and jazz-inflected playing carried the original Kingfish sound, be it twanging away on a country cover by Marty Robbins, ’70s soul-noodling on a Bob Weir composition like “Lazy Lightnin’/Supplication,” or artfully propelling Kingfish originals such as “Asia Minor” and “Hypnotize.”